http://www.annapaul.at/der-groe-filmpreis daily 0.75 2024-10-15 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1456753985877-2X2CZ0VJHPI7EQ9FLB9X/160105+wdtgg+-+the+real+magic_+copyright+daniel+gebhart+de+koekkoek+web.jpg der große Filmpreis   Diagonale Graz der große Filmpreis, 2016 Skulptur zum in der Tasche tragen konzipiert Bronzeguss 2,4 x 2,8 cm     Ab 2016 erhalten alle Diagonale-Preisträger/innen “den großen Filmpreis”. Die Skulptur in Form einer Muskatnuss ist zum Mit sich tragen konzipiert, ihr kleines Format fordert die konzentrierte Aufmerksamkeit des Betrachters. Mit ihrem Plädoyer, den Blick für die unscheinbaren Dinge zu schärfen, übernimmt Anna Paul auch einen zentralen Aspekt des Kinos: die Liebe für einen präzisen Blick. Eine Preisanleitung: ,...bei der Verleihung sehe man die Muskatnuss ob ihrer Kleinheit, ihrer Bescheidenheit verwundert an. Hernach strecke man sie mit zwei gespitzten Fingernhoch in die Luft, signalisiere ein schwungvolles ‚picobello‘ und nenne sie fortan stolz ,den großen Filmpreis‘...‘   Photo © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1456753985877-2X2CZ0VJHPI7EQ9FLB9X/160105+wdtgg+-+the+real+magic_+copyright+daniel+gebhart+de+koekkoek+web.jpg der große Filmpreis   Diagonale Graz der große Filmpreis, 2016 Skulptur zum in der Tasche tragen konzipiert Bronzeguss 2,4 x 2,8 cm     Ab 2016 erhalten alle Diagonale-Preisträger/innen “den großen Filmpreis”. Die Skulptur in Form einer Muskatnuss ist zum Mit sich tragen konzipiert, ihr kleines Format fordert die konzentrierte Aufmerksamkeit des Betrachters. Mit ihrem Plädoyer, den Blick für die unscheinbaren Dinge zu schärfen, übernimmt Anna Paul auch einen zentralen Aspekt des Kinos: die Liebe für einen präzisen Blick. Eine Preisanleitung: ,...bei der Verleihung sehe man die Muskatnuss ob ihrer Kleinheit, ihrer Bescheidenheit verwundert an. Hernach strecke man sie mit zwei gespitzten Fingernhoch in die Luft, signalisiere ein schwungvolles ‚picobello‘ und nenne sie fortan stolz ,den großen Filmpreis‘...‘   Photo © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1458063500884-OG1GOGXTZPQ959VGUWNA/kleid.jpg der große Filmpreis Die fabelhafte Jasmin Baumgartner! GRATULATION ! 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Der Titel Nude Program beschreibt das Monochrome einer raumaufspannenden Fläche deren kontinuierliche Veränderung Programm ist. In die Installation aus weichem Wachs werden im Laufe der Ausstellung die Arbeitsschritte der Akteure eingeschrieben. In der Überlagerung der stetigen Veränderung des eingebrachten Materials zeichnen sich Handlungsmuster ab, diese werden in ihrem räumlichen Ausdruck lesbar und im Herauslösen aus der Fläche zur Skulptur. 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In die Installation aus weichem Wachs werden im Laufe der Ausstellung die Arbeitsschritte der Akteure eingeschrieben. In der Überlagerung der stetigen Veränderung des eingebrachten Materials zeichnen sich Handlungsmuster ab, diese werden in ihrem räumlichen Ausdruck lesbar und im Herauslösen aus der Fläche zur Skulptur. 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Skizziert kommende Vorhaben in die formbare Landschaft. Er oder sie markiert den Punkt mit einem X, wechselt den Schuh, greift zum Werkzeug, kratzt, ritzt, stampft, schreibt, wiederholt den Arbeitsschritt. Der Titel Nude Program beschreibt das Monochrome einer raumaufspannenden Fläche deren kontinuierliche Veränderung Programm ist. In die Installation aus weichem Wachs werden im Laufe der Ausstellung die Arbeitsschritte der Akteure eingeschrieben. In der Überlagerung der stetigen Veränderung des eingebrachten Materials zeichnen sich Handlungsmuster ab, diese werden in ihrem räumlichen Ausdruck lesbar und im Herauslösen aus der Fläche zur Skulptur. Nude Program ist das dritte gemeinsame Projekt der KünstlerInnen Karl Karner und Anna Paul, in der die Spannung des öffentlichen Arbeitens Ausdruck und Konzentration findet.   Nude Program at Armin Berger Contemporary 29 APRIL - 12 JUNI Breitensteinstraße 45 8037 Zürich www.abcontemporary.com https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897718275-CAF4TWIVFYGYSQCT1EY5/nude+program+6.jpg nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897658785-34LSY3EA39RHLNDCQK5C/nude+program+11.jpg nude program - PARTED PIECE Muranoglas Objekt, 2014 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897534731-4VN07R8BT9RN8QEQEJG0/nude+program+5.jpg nude program - NUDE SHELF Bronzeguss, 2016 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897572554-FVUSUA70B0BC5S1CG5WC/nude+program+3.jpg nude program - NUDE SHELF Bronzeguss, 2016 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897854244-XFPTY91KFYFYLN23M9OB/nude+program+15.jpg nude program - NUDE BASSIN Wachs, Paper, 2016   https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462017339475-3AJAA2FOSN84DECFYY0J/DSC01636.JPG nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897774356-02C5T1VU7Q8JO62KBFWO/nude+program+16.jpg nude program - NUDE PROGRAM mit KARL KARNER Sie oder Er quert die fleischfarbene Wachsfläche, hockt sich hin, modelliert das Material, dann dreht er eine Runde, oder sie steht auf. 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Nude Program ist das dritte gemeinsame Projekt der KünstlerInnen Karl Karner und Anna Paul, in der die Spannung des öffentlichen Arbeitens Ausdruck und Konzentration findet.   Nude Program at Armin Berger Contemporary 29 APRIL - 12 JUNI Breitensteinstraße 45 8037 Zürich www.abcontemporary.com https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897979708-02JPNRELORZI7VZ0Q04V/nude+program+19.jpg nude program - ZÜRCHER SERIE Serie von Zeichungen in Wachs getaucht, Karl Karner, 2016 WAX BOX, Wachs, Papier, Anna Paul, 2016   https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462897923460-ZGAPHLOOKGY5NJ0KEIPC/nude+program+4.jpg nude program - NUDE PROGRAM mit KARL KARNER Alumnium Platte, Karl Karner, 2016 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462019490358-2FJEXE1RZ6OKGGAD0730/DSC01750+b.jpg nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1463386836378-NB5DB2RHNHYCZ0ORPA8H/160515+nudeprogram+flux+4+web.jpg nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1463386868290-SPKFZETHLCMTDW64PTHZ/160515+nudeprogram+flux+6+web.jpg nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1462017501342-7LUP2JHOAK55P15QM8XA/DSC01750.JPG nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1463386871515-50H4IBYC4E403W186WQ7/160515+nudeprogram+flux+7+web.jpg nude program https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1460983742136-EM44ERJ7WSQ3R7G44GC1/160411+nude+program+abc-02.jpg nude program Sie oder Er quert die fleischfarbene Wachsfläche, hockt sich hin, modelliert das Material, dann dreht er eine Runde, oder sie steht auf. 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unruly meter nude normograph bronce cast 2016 photo : © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1475489656370-QCK30ERT3TY5TU1J9OBQ/unruly+meter+.jpg the unruly meter welcome to the unruly meter at parallel vienna 2016 photo : © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1475488988631-TY53CPSEQGPYJIBGQV3X/unruly+meter+_+unruly+shelf.jpg the unruly meter unruly shelf bronce cast, rubber 2016 unruly meter bronce cast 2016 photo : © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1475489659712-2NITZ1PENQX6H17Z6D32/rote+brokkolis%2B.jpg the unruly meter die roten brokkolis   photo : © Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1473085443609-HGYLE0P8NLLL2DO38ZHK/unruly+meter-06.jpg the unruly meter http://www.annapaul.at/informkommen daily 0.75 2018-09-28 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https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1517850660803-881ZCHHWJBECPV7RAPVP/Film0564_20_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1538116007987-OQTIE36RRVCMD5HZ7ER0/Film0566_17_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1517850506634-VQIS6AKQBSOJYVLXU08Y/Film0564_27_web.jpg baden | on bathing culture Am Anfang des 20. Jahrhunderts gab es selten private Orte für die persönliche Körperhygiene. Neben kommunalen Badeanstalten, die gemeinschaftsbildend wirkten, wurden früher mobile Bademöbel genutzt um den Körper zu pflegen. Das „Plumbing”, die Entwicklung vom stehenden zum fließenden Wasser veränderte die Badegewohnheiten, fesselte dabei die Möbel and die Wände. Die vormals mobilen Badeutensilien haben allesamt den Weg in den wohl privatesten wie auch den normiertesten Raum im Haushalt gefunden: Das Badezimmer. Die Beschäftigung mit der Zeit vor der Etablierung des privaten Badezimmers, lässt die Frage zu, was sich in einem Gesellschaftsgefüge verändert, wenn sich eine grundlegende Aktivität von einer vormals halb öffentlichen Tätigkeit zu einer Betätigung größter Intimität entwickelt. Photos von Zara Pfeifer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1517850518190-ZWPHFJB4S6AMT4HQQJEO/Film0564_32_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1545390309361-LYJUG8KY8H25TSEVV2GC/Film6849_23a.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530874566881-OE8IE7V0BX0XFNSIG3OU/180701_baden_ost+station_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530875241350-60LDAED8M0CET8K0SPRT/Film7003_28.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1545390335445-UAR5RQK4V4ZZSMH07JJA/Film7003_23.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1540144111741-AXWSM3RLR31UENYNR5TN/zugeschnitten2.png baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1540144311284-7Z54RQBX3NM31JZ9GOBY/180701_baden_vo%CC%88slau_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1538115515766-47C9FOBY2PUVX86WPKUP/ZaraPfeifer_Film3691_03.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530874435048-OWHNUA3DFGUOQ0XEIOG9/180701_baden_laabergbad_web.jpg baden | on bathing culture Photo von Zara Pfeifer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530874800054-88GXV5VV08E83PWEXC4D/180701_baden_vo%CC%88slau_web.jpg baden | on bathing culture Photo von Zara Pfeifer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1538115546746-0JI8O3TQCV7ZG6JIE1QW/ZaraPfeifer_Film3686_24.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1545390403647-M1LIY7Z1DP1MTKBUH8A3/4_Laabergbad_Objekt_Detail_Film3693_15.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1540143768238-51WWRKX6UH0JFBXJX4C2/ZaraPfeifer_Film3693_03.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530874572436-ACPBW37JLUY0EQJACVV7/180701_baden_olofpalme_web.jpg baden | on bathing culture Photo von Zara Pfeifer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530875139091-M1D73OD11QRZ3BPYB6G5/Film9766_05.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1540144383299-SJMACWIWMVJ3JXW93A5H/Film9762_22.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1517850323592-UYDZIX027GIFKIZ6SU9H/Film0565_28a.JPG baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530875065770-A1UPQR2R6R657I9PBDJR/Details-2.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1517850713119-09XSQEMEVGRCVCGBF52H/Film0566_30_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1527590103964-XUASKA06K8TL5KQALFND/Film6848_14.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530873868554-ADOK8W3S2W3JA6OB4TVU/180513-portfolio-web67.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1530874137494-GET5N7REIVFGI7WQAIXB/180701_baden_vo%CC%88slau_web.jpg baden | on bathing culture https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1522058306979-T6RRYBZD9ZLXXY5JL2GO/Bildschirmfoto+2018-03-26+um+11.57.29.png baden | on bathing culture http://www.annapaul.at/breakfast-pieces daily 0.75 2020-01-28 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580146614145-J2YAK2R2RV7CFH0SZBRK/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz2.jpg breakfast pieces - Breakfast Piece, 2019 Breakfast Pieces are a sub-genre of still-life painting. First made in the Dutch Golden Age of early market capitalism, they depict food typically consumed for breakfast. Dialectically to the still-life collection at Poilâne bakery, these Dutch paintings immortalized the goods and wealth of the period, whereas local french painters of post war Paris, exchanged their „nature morte“ for bread, in order not to starve. After World War II, Pierre Poilâne commissioned artists in precarious situations to paint his product – bread – and in return he would pay them in said subjects. Two things stand out in these still-lifes, their locality, and their modesty. Not only do they depict local products, but they are also painted by local artists. The motif of the bread-loafs and other basic ingredients of a simple meal, like butter, cheese, water or wine, represent the diet of a post-war dazed Paris. Over the years the collection of „nature morte" paintings has grown at Poilâne’s semi-public breakfast room, an ensemble adding a humble view to the genre of still-life painting, exemplifying an alternative to the market economy. Anna Paul has integrated her own work here, a mise en abyme representing the collection, its historicity and the cultural mechanisms of its formation. Photography by Viktor Shekrulatz https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580146614145-J2YAK2R2RV7CFH0SZBRK/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz2.jpg breakfast pieces - Breakfast Piece, 2019 Breakfast Pieces are a sub-genre of still-life painting. First made in the Dutch Golden Age of early market capitalism, they depict food typically consumed for breakfast. Dialectically to the still-life collection at Poilâne bakery, these Dutch paintings immortalized the goods and wealth of the period, whereas local french painters of post war Paris, exchanged their „nature morte“ for bread, in order not to starve. After World War II, Pierre Poilâne commissioned artists in precarious situations to paint his product – bread – and in return he would pay them in said subjects. Two things stand out in these still-lifes, their locality, and their modesty. Not only do they depict local products, but they are also painted by local artists. The motif of the bread-loafs and other basic ingredients of a simple meal, like butter, cheese, water or wine, represent the diet of a post-war dazed Paris. Over the years the collection of „nature morte" paintings has grown at Poilâne’s semi-public breakfast room, an ensemble adding a humble view to the genre of still-life painting, exemplifying an alternative to the market economy. Anna Paul has integrated her own work here, a mise en abyme representing the collection, its historicity and the cultural mechanisms of its formation. Photography by Viktor Shekrulatz https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580148016097-SJZUX977GJRFGJO0R76J/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz8.jpg breakfast pieces - Breakfast Piece, 2019 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580148022412-VGZ25U5PXI9URMACLQH4/IMG_6007.jpg breakfast pieces - Breakfast Piece, 2019 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580146972673-XZRJY6Q4ONTB48Z6E5SK/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz_6+Kopie.jpg breakfast pieces - Breakfast Piece, 2019 Breakfast Pieces are a sub-genre of still-life painting. First made in the Dutch Golden Age of early market capitalism, they depict food typically consumed for breakfast. Dialectically to the still-life collection at Poilâne bakery, these Dutch paintings immortalized the goods and wealth of the period, whereas local french painters of post war Paris, exchanged their „nature morte“ for bread, in order not to starve. After World War II, Pierre Poilâne commissioned artists in precarious situations to paint his product – bread – and in return he would pay them in said subjects. Two things stand out in these still-lifes, their locality, and their modesty. Not only do they depict local products, but they are also painted by local artists. The motif of the bread-loafs and other basic ingredients of a simple meal, like butter, cheese, water or wine, represent the diet of a post-war dazed Paris. Over the years the collection of „nature morte" paintings has grown at Poilâne’s semi-public breakfast room, an ensemble adding a humble view to the genre of still-life painting, exemplifying an alternative to the market economy. Anna Paul has integrated her own work here, a mise en abyme representing the collection, its historicity and the cultural mechanisms of its formation. Photography by Viktor Shekrulatz https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580146597744-NZKWQCOMPGROLWNCVZPM/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz_4.jpg breakfast pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580148486648-G89NQK6KZVCAIP357UEB/IMG_6029.jpg breakfast pieces - Breakfast Piece, 2019 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580148490246-LWD0LPWTAQ1KIQGABNH3/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz10.jpg breakfast pieces - Breakfast Piece, 2019 Breakfast Pieces are a sub-genre of still-life painting. First made in the Dutch Golden Age of early market capitalism, they depict food typically consumed for breakfast. Dialectically to the still-life collection at Poilâne bakery, these Dutch paintings immortalized the goods and wealth of the period, whereas local french painters of post war Paris, exchanged their „nature morte“ for bread, in order not to starve. After World War II, Pierre Poilâne commissioned artists in precarious situations to paint his product – bread – and in return he would pay them in said subjects. Two things stand out in these still-lifes, their locality, and their modesty. Not only do they depict local products, but they are also painted by local artists. The motif of the bread-loafs and other basic ingredients of a simple meal, like butter, cheese, water or wine, represent the diet of a post-war dazed Paris. Over the years the collection of „nature morte" paintings has grown at Poilâne’s semi-public breakfast room, an ensemble adding a humble view to the genre of still-life painting, exemplifying an alternative to the market economy. Anna Paul has integrated her own work here, a mise en abyme representing the collection, its historicity and the cultural mechanisms of its formation. Photography by Viktor Shekrulatz https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580148011997-KMCX1GDUVQ9SYMLLW0YS/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz.jpg breakfast pieces - Breakfast Piece, 2019 With Arbel, Baro, Bermond, Besset, Bousier, Cheval, Clebert, Coulon, Cuernveur, Dalì, Desnoettes, Delègues, Georges, Girard, Font:anarosa, Fous, Frano, Harburger, Hilbert, Iselin, Kaminski, Kristo, Lanauve, Lemonie, Lepape, Lona, Madikem, Majan, Martin, Mngahin, Paul, Philip, Plisson, Reil, Rive, Savignon, Thiebaut, Vergnier, Wolff, ZaroPhotography by Viktor Shekrulatz https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580152225822-14O2M1P9E7LCDHBSLF3I/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz9.jpg breakfast pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580146590932-XHIGIRK5CHUN4O88ATMB/190613_AnnaPaul_BreakfastPieces_Website_c_ViktorShekrulatz_6.jpg breakfast pieces http://www.annapaul.at/sortiment daily 0.75 2020-01-31 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580324120074-PODZ8L6RR2HEKJSI1ZEO/sortiment-annapaul-simonoberhofer.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580324120074-PODZ8L6RR2HEKJSI1ZEO/sortiment-annapaul-simonoberhofer.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580316897443-B663HV9N39Z6CLSR6JS8/web_DSC3869.jpg sortiment - Sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580320816087-PNCM2F6JVXZIHL1SM0QA/web_DSC3893.jpg sortiment - bread pieces, 2020 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580320894317-N2PAZMAEUP8L2WW5QBU0/web2_DSC3888.jpg sortiment - traveling pieces, Ancona 2019 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580320982530-C8VBG6RBVN6D1Y5HV8HZ/web2_DSC3895.jpg sortiment - traveling pieces, San Filippo 2018–2019 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580319826657-V8T22E6YIUJ8458533G7/web_DSC3967.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580317613298-7QRCJHAV58IDOMK8DRO4/191213_1753-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - individual use, 2019 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580317967692-KL1BAM4O5OHH138WBERF/191213_1755-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - bread piece, 2020 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580318196547-6YZN6TIA1XTXM9AEZE4M/191213_1778-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - Sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580321775952-KRMN1UB440BRSK41DD6L/web-sortiment-annapaul.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580321294457-BLDM5BV5KE90CTNX6FT3/191213_1751-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - no smoking, 2019 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580321947209-7DFTODFOF13O2PIBZJ1B/191213_1760-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - found face, 2016 For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580322094638-DD2IWY89QG0F4FL8Z146/191213_1769-ANNA_PAUL_Sortiment-by_Gebhart_de_Koekkoek-web.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Daniel Gebhart de Koekkoek https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580322451967-O2UFFB2C20YM3WIAKM5Q/web_DSC3959.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1580323188808-1PKGCHBTXWW5CY8IM6DL/web_DSC3960.jpg sortiment - sortiment For the exhibition sortiment (assortment) Anna Paul gathers selected reflections on our surrounding environment in the form of concrete items, sculptures and found objects from nature and material culture. Framed by commercial stacking containers, the artist creates dialogical arrangements in the field of tension between economic efficiency and artistic experiment. Photography by Simon Oberhofer http://www.annapaul.at/a-stilllife-of-bread-and-butter daily 0.75 2021-08-21 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1605105985738-PIORYKJJDBWE7DE3HP9U/Stilllife-of-bread-and-butter-by-anna-paul-susanna-hofer-7195.jpg A Still-Life of Bread and Butter A Still-Life of Bread and Butter Susanna Hofer und Anna Paul, 2020 Und es gibt sie doch, Kunst im Lockdown! Susanna Hofer und Anna Paul stellen mit A Still-Life of Bread and Butter – mittels direkter Konfrontation – Fragen nach den Grundbedürfnissen einer Gesellschaft, zu der laut Corona Verordnung Kunst und Kultur nicht gezählt werden. Am 14. November können am Wiener Naschmarkt Brotobjekte von Anna Paul und Butterarrangements von Susanna Hofer zum Preisindex fürs Nahrungsmittel erworben werden. Recht günstig kommt man somit zu Kunstwerken der beiden Künstlerinnen, welche die Wertlogik des Kunstmakrtes umkehren, wobei zu bedenken ist, dass ihre Arbeiten vergänglich sind. In Kooperation mit New Views on Same-Olds, kuratiert von June Drevet, Andrea Popelka und Stefanie Schwarzwimmer Samstag, 14.November, 2020, 8 – 12 Uhr Wiener Naschmarkt, Bio-Eck, Kettenbrückengasse https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1605105985738-PIORYKJJDBWE7DE3HP9U/Stilllife-of-bread-and-butter-by-anna-paul-susanna-hofer-7195.jpg A Still-Life of Bread and Butter A Still-Life of Bread and Butter Susanna Hofer und Anna Paul, 2020 Und es gibt sie doch, Kunst im Lockdown! Susanna Hofer und Anna Paul stellen mit A Still-Life of Bread and Butter – mittels direkter Konfrontation – Fragen nach den Grundbedürfnissen einer Gesellschaft, zu der laut Corona Verordnung Kunst und Kultur nicht gezählt werden. Am 14. November können am Wiener Naschmarkt Brotobjekte von Anna Paul und Butterarrangements von Susanna Hofer zum Preisindex fürs Nahrungsmittel erworben werden. Recht günstig kommt man somit zu Kunstwerken der beiden Künstlerinnen, welche die Wertlogik des Kunstmakrtes umkehren, wobei zu bedenken ist, dass ihre Arbeiten vergänglich sind. In Kooperation mit New Views on Same-Olds, kuratiert von June Drevet, Andrea Popelka und Stefanie Schwarzwimmer Samstag, 14.November, 2020, 8 – 12 Uhr Wiener Naschmarkt, Bio-Eck, Kettenbrückengasse https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1605107114889-YX3Z0EW4F3QPI6KXLREZ/Stilllife-of-bread-and-butter-by-anna-paul-susanna-hofer-7217.jpg A Still-Life of Bread and Butter A Still-Life of Bread and Butter Susanna Hofer und Anna Paul, 2020 Und es gibt sie doch, Kunst im Lockdown! Susanna Hofer und Anna Paul stellen mit A Still-Life of Bread and Butter – mittels direkter Konfrontation – Fragen nach den Grundbedürfnissen einer Gesellschaft, zu der laut Corona Verordnung Kunst und Kultur nicht gezählt werden. Am 14. November können am Wiener Naschmarkt Brotobjekte von Anna Paul und Butterarrangements von Susanna Hofer zum Preisindex fürs Nahrungsmittel erworben werden. Recht günstig kommt man somit zu Kunstwerken der beiden Künstlerinnen, welche die Wertlogik des Kunstmakrtes umkehren, wobei zu bedenken ist, dass ihre Arbeiten vergänglich sind. 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BMKOES Sektion Kunst und Kultur sowie der Stadt Wien MA7. https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1636917876362-L86C7B6IUXW8JNWZT376/Fondat_Skelett_Anna_Paul_c_Ruiz-Cruz_4408.jpg Fondant Skelett https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1636917868011-H4UPIAVQ8BVK3YUB6BA6/Fondat_Skelett_Anna_Paul_c_Ruiz-Cruz_4292.jpg Fondant Skelett https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1636917869471-G3DCO8BMAP9ETH9O7HZ3/Fondat_Skelett_Anna_Paul_c_Ruiz-Cruz_4305.jpg Fondant Skelett https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1636917872070-O0KV69G3ALBYJ5MDS6D7/Fondat_Skelett_Anna_Paul_c_Ruiz-Cruz_4319.jpg Fondant Skelett https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1636917875206-5S2X5W93GBQ5QAZSPFP2/Fondat_Skelett_Anna_Paul_c_Ruiz-Cruz_4386.jpg Fondant Skelett 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der Stadt Wien MA7. http://www.annapaul.at/on-bathing-culture daily 0.75 2023-10-01 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1664533396378-8ZNO6EQ92WY4EY5ABU1R/image-asset.jpeg On Bathing Culture - Anna Paul, 2021 On Bathing Culture Der Grazer Kunstverein zieht um und wird zu drei Badezimmern mit Waschbecken, Wanne und Dusche – gewöhnliche Protagonist*innen in einer ungewöhnlichen Dokumentation von Anna Paul, erdacht und realisiert in Reaktion auf die Ausnahmesituation unserer Zeit. https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1664533396378-8ZNO6EQ92WY4EY5ABU1R/image-asset.jpeg On Bathing Culture - Anna Paul, 2021 On Bathing Culture Der Grazer Kunstverein zieht um und wird zu drei Badezimmern mit Waschbecken, Wanne und Dusche – gewöhnliche Protagonist*innen in einer ungewöhnlichen Dokumentation von Anna Paul, erdacht und realisiert in Reaktion auf die Ausnahmesituation unserer Zeit. https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1664533396358-BBX7IB5BHV3XMY488TR4/image-asset.octet-stream On Bathing Culture http://www.annapaul.at/stabiler-grund daily 0.75 2023-04-12 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681312710821-20U5V2PFB6FNZT5O7R0V/DSC09081.jpg Stabiler Grund Stabiler Grund, 2023 Anna Paul und Karl Karner als Teil der Gruppenausstellung: ,,THE REAL WEIRD MAGIC PICTURE SHOW Supernatural & Superhuman & Supercute“ mit Burnbjoern, Thomas Hörl & Peter Kozek/Victor Jaschke, Hannah & Lea Neckel, Barbi Marković & Nikola Supuković, Lony Mathis, Anna Paul & Karl Karner, Georg Pinteritsch und Paul Riedmüller mit einem literarischen Beitrag von Barbi Marković, gesprochen von Fritz Ostermayer kuratiert von Barbara Horvath Ausstellungsdauer: 01.03.2023-22.04.2023 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681312710821-20U5V2PFB6FNZT5O7R0V/DSC09081.jpg Stabiler Grund Stabiler Grund, 2023 Anna Paul und Karl Karner als Teil der Gruppenausstellung: ,,THE REAL WEIRD MAGIC PICTURE SHOW Supernatural & Superhuman & Supercute“ mit Burnbjoern, Thomas Hörl & Peter Kozek/Victor Jaschke, Hannah & Lea Neckel, Barbi Marković & Nikola Supuković, Lony Mathis, Anna Paul & Karl Karner, Georg Pinteritsch und Paul Riedmüller mit einem literarischen Beitrag von Barbi Marković, gesprochen von Fritz Ostermayer kuratiert von Barbara Horvath Ausstellungsdauer: 01.03.2023-22.04.2023 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681312705227-26DC2I3SY4IKIZ90D58F/DSC09075.jpg Stabiler Grund https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681312702822-RWILARENNKNH8PPPNX0B/DSC09031.jpg Stabiler Grund https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681312703939-LX7PJIL3NRQ1QCURZQPB/DSC09053.jpg Stabiler Grund Stabiler Grund, 2023 Anna Paul und Karl Karner Malerei: Paul Riedmüller als Teil der Gruppenausstellung: ,,THE REAL WEIRD MAGIC PICTURE SHOW Supernatural & Superhuman & Supercute“ mit Burnbjoern, Thomas Hörl & Peter Kozek/Victor Jaschke, Hannah & Lea Neckel, Barbi Marković & Nikola Supuković, Lony Mathis, Anna Paul & Karl Karner, Georg Pinteritsch und Paul Riedmüllermit einem literarischen Beitrag von Barbi Marković, gesprochen von Fritz Ostermayerkuratiert von Barbara HorvathAusstellungsdauer: 01.03.2023-22.04.2023 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681313008867-570LMO8KTFXNU2PM51BL/abDSC09188.jpg Stabiler Grund https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681313030755-LWZ12GPKLZWKE9HQOBH1/aDSC09201.jpg Stabiler Grund https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681313049405-T559FV9P53MFJYR0T7VK/aDSC09291.jpg Stabiler Grund https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681313045038-4C6UGNFYUMO7CVPRI316/aDSC09288.jpg Stabiler Grund 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Fotografie : Lea Sonderegger https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681317541680-3ZZEQBMC7MNB90OIMF8D/Meeting_Basic_Needs_2022%C2%A9Lea_Sonderegger-9823.jpg Bread Pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681317537134-MFQA1YU41OJ83K3JV612/Meeting_Basic_Needs_2022%C2%A9Lea_Sonderegger-9799.jpg Bread Pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681317524656-W4GMRVURNJWGWL3MA0N9/Meeting_Basic_Needs_2022%C2%A9Lea_Sonderegger-9771.jpg Bread Pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681317507487-K1PACICTLBOI9DV6EF86/Meeting_Basic_Needs_2022%C2%A9Lea_Sonderegger-9775.jpg Bread Pieces https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1681317491303-TIDG8MG79QP6CJZ6M1K3/Meeting_Basic_Needs_2022%C2%A9Lea_Sonderegger-9768.jpg Bread Pieces 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With still-lives by Lisa Edi and Paul Riedmüller, ballon flowers by Sarah Oos, pralines by Kristiane Kegelmann, sweets by Lukas Mraz, an altered an Italian candy icon by Giuseppe de Mattia, handy aluminum plates by Karl Karner, porcelain dessert plates by Christian Hoffelner, a collection of fruit, bronze cast nuts, recent aluminum works and an aluminum bar sculpture by Anna Paul. With the kind support of the Austrian Federal Ministry of the Arts, Culture, the Civil Service and Sport https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008392832-EAZZ9013RP1NCMQ4275Q/LisaEdi_APShop_33990002.jpg Shop A candy shop by Anna Paul Pictured by Lisa Edi In spring 2024, Anna Paul ran a temporary candy store at Acre Studios in Berlin that offered the favorite sweets of the artists she had invited to participate. With still-lives by Lisa Edi and Paul Riedmüller, ballon flowers by Sarah Oos, pralines by Kristiane Kegelmann, sweets by Lukas Mraz, an altered an Italian candy icon by Giuseppe de Mattia, handy aluminum plates by Karl Karner, porcelain dessert plates by Christian Hoffelner, a collection of fruit, bronze cast nuts, recent aluminum works and an aluminum bar sculpture by Anna Paul. With the kind support of the Austrian Federal Ministry of the Arts, Culture, the Civil Service and Sport https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008407880-M87D50V2NDQCGZF042X1/LisaEdi_APShop_33990010.jpg Shop A candy shop by Anna Paul Pictured by Lisa Edi In spring 2024, Anna Paul ran a temporary candy store at Acre Studios in Berlin that offered the favorite sweets of the artists she had invited to participate. With still-lives by Lisa Edi and Paul Riedmüller, ballon flowers by Sarah Oos, pralines by Kristiane Kegelmann, sweets by Lukas Mraz, an altered an Italian candy icon by Giuseppe de Mattia, handy aluminum plates by Karl Karner, porcelain dessert plates by Christian Hoffelner, a collection of fruit, bronze cast nuts, recent aluminum works and an aluminum bar sculpture by Anna Paul. With the kind support of the Austrian Federal Ministry of the Arts, Culture, the Civil Service and Sport https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008445219-4RKOE814KPH58AX8UXG4/LisaEdi_APShop_33970003_g2.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008464380-1RJ9O3HIOMUV0JSIV6Z0/34030011.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008900536-7Z5MD7NR3D3SX54HFRVE/LisaEdi_APShop_33990006.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008429080-YHUEMQK90K60ZLQI6JUJ/LisaEdi_APShop_34010005.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008412879-3PMK8JFBJYQOBBB2WPH6/LisaEdi_APShop_33990012+2.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008438803-XZD449FAH7PYQMFROA05/LisaEdi_APShop_33960001.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008449916-NNXAX1512JR7VUKG8JED/LisaEdi_APShop_33980003.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008455078-3GH4WU2BP32RM42BXDNF/LisaEdi_APShop_33980006.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008421387-WW6AE07EUG7FOQAD6FLN/LisaEdi_APShop_34000002.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008472230-PRUWJ8484JNOWBCGHJZB/LisaEdi_APShop_34030004.jpg Shop https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1732008966015-66OEZI4B9DA30AHO2W3J/LisaEdi_APShop_34000012_2.jpg Shop http://www.annapaul.at/about daily 0.75 2023-04-12 https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1608631267240-8KSHS67FNGNXKHMECMCN/%C2%A9+Marie+Haefner Curriculum Vitae Careful Collecting, 2020 © Marie Häfner https://images.squarespace-cdn.com/content/v1/53d007c3e4b05b0fba76955b/1456754456725-I0SMV4UXNRR2FF50TNT1/ME+feb+2015+daniel+gebhart+de+koekkoek.jpg Curriculum Vitae